Old Skool Ball Music (aka Great Warm Up Beatz)

Looking for something to get you in the mood for the catwalk? Need a warm-up before rehearsals? Are you playing Deity and need a hot take on the genealogy of ball music?Check it…

1. Tronco Traxx’s classic 90s ball scene dance track “Walk 4 Me” (1995) Serve! Butch queen up in pumps! This one is referenced directly in the play, but Tronco Traxx had several other ball tracks that also reached instant classic status (see more below).

2. David Ian Xtravaganza in David DePino’s mix of “Elements of Vogue” (1989). David DePino was the honorary DJ of House of Xtravaganza, and was frequently spinning at the Paradise Garage and Tracks, two clubs popular with legendary House voguers. It’s estimated that 2500-3000 dancers would show up to to DePino’s sets at Tracks on Tuesday nights. “Tracks was very gay, very streetwise and rather hardcore. Not sissy but cunty [or a form of exaggerated, clever, powerful femininity]. It was black and Latin gay, plus women, mostly dykes” (Adam Goldstone, a Tracks regular).

3. Famed producer Malcolm McClaren partnered with Bootzilla Orchestra for “Deep in Vogue,” (1989) featuring the vogue performances of Willi Ninja, whom he knew through DJ Johnny Dynell (a member of House of Xtravaganza).

Of course, all these PRE-DATE Madonna’s visits to the Tracks club and her borrowing of ball culture in her song and video for “Vogue” (1990), which featured Luis and Jose Xtravaganza as dancers, and lifted drum and synth patterns from “Elements of Vogue” (above).

4. Two other Tronco Traxx hits for your playlist are the 1996 “Runway (As a House)” and “C.U.N.T. (She’s Cunt, She’s Pussy). FactMag’s Naill Connolly says said of these tracks:

The raw 909 beats and campy-but-cutting vocal chants, incorporating a lot of gay/black/drag slang and runway instructions, are elements that are still very prevalent in the genre today.

“I love both of those tunes but ‘Runway (As A House)’ is Tronco’s forgotten classic in my eyes. It uses the elements I’ve described above, but adds a bit more sheen, and most importantly of all, it uses the infamous “HA” sound that has become synonymous with ballroom, vogue femme dance styles and the signature “dip” move. The “HA” sound was originally used by Masters At Work in 1991’s seminal ‘The Ha Dance’, and can still be heard all over ballroom nearly 25 years later, most notably on MikeQ’s ‘The Ha Dub Rewerk’d’ on Fade To Mind, and Kingdom’s ‘Stalker Ha’.

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s